22 rows  Bobby Digital in Stereo is also a more focused work than the last Wu-Tang Clan album. Wu Tang Killa Bees. RZA RZA - Bobby Digital In Stereo http://www.speedyshare.com/600538211.html.

Originpro 2015 download torrent. Happy 20th Anniversary to RZA’s debut solo album RZA As Bobby Digital In Stereo, originally released November 24, 1998. Let’s talk about Robert Diggs a.k.a a.k.a. The main producer and leader of the.

And let’s talk about him in the context of the year of 1998. By this time, RZA had become the man behind the scenes for the biggest household name in hip-hop culture and one of the most acclaimed beatmakers in the game. Having already produced ten albums that ranged from niche classics to genre-reshaping masterpieces, there was this sort-of-not-quite need for a solo album from him.

Being arguably both the least gifted rapper of the clan and the most talented hip-hop producer in the world, presents a strange dynamic, especially while in the midst of experiencing peaks of quality, prolificacy, and popularity. After crafting unique sounds and styles for half of the emcees in his crew, it wasn’t supposed to be a difficult task generating a batch for himself and translating them into an LP. And it wasn’t, after all. For this, RZA did two specific things, one that was to be expected coming from any Wu member and another that was quite surprising and/or disturbing for the hip-hop world. First, he created a fictionalized version of himself as a nerdy concept to loosely base the album on. Because let’s face it, Wu-Tang is for the children nerds. Secondly, he left the soul samples behind and focused on keyboard-generated melodies and rhythms.

All of this guided his first solo album since the formation of Wu-Tang Clan, RZA As Bobby Digital In Stereo. After an intro in German during which the character of Bobby Digital is introduced, comes “B.O.B.B.Y.,” a song with one of those annoying repetitive choruses like the one for “Wu-Tang Clan Ain’t Nuthin’ ta Fuck Wit.” This one doesn’t work as well as its precursor. Although RZA, now portraying and rapping as Bobby Digital, does manage to deliver some decent braggadocio bars regarding the fame of his crew and their toughness. The beat is simple, although effectively dramatic, suiting the purpose of an introduction. “Unspoken Word” sounds like a bunch of random loops thrown together to make a raucous yet laid back background for the cartoonishly-gunshot-bucking-gangster bars delivered by this seemingly unbalanced persona. “Slow-Grind African” is a short interlude with a sweet female voice calmly singing over a monotone drum pattern.

“Airwaves” follows another interlude, this time with Bobby Digital kicking Inspectah Deck-like bars over a synth-based bass line with raw scratches a la 36 Chambers. Then comes “Love Jones,” a love theme sampling the song of the same name by Brighter Side of Darkness and “Star Children” by Mighty Ryeders. This track surprisingly delivers as the album’s first bona fide highlight, with RZA rapping about how beautiful the woman of his eyes is and Angel Cake singing a hypnotic chorus. Everything” is another strong track, a traditional hardcore rap song where RZA rides the beat well. However, his fellow Wu member shines the brightest here with a reference-filled, freestyle-like smooth verse. By “Mantis,” you start understanding the vibe that RZA wanted to accomplish with the captivating layered production. There’s a rare eight-bar rap performance by usual hook singer Tekitha and a great closing verse by Masta Killa, bridging the gap between Shaolin martial arts knowledge and the Nation of Islam.

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