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A prominent group in French hip hop. Themes in French hip hop include opposition to the social order, humor and puns, as well as ethnic and cultural identity. Whereas early French hip hop was seen as mimicking American hip hop in terms of aesthetic appeal, later French rappers added their own cultural and ethnic identities to the mix. With the rise of 's pharaoism, or allusions to ancient Egyptian pharaohs, we see them attempting to negotiate and create a space for themselves in a social scene rife with discrimination and racist ideologies.

[ ] French hip hop can be defined by two major categories or subgenres: hip-hop from the north, mainly centered around major cities like Paris and its suburbs, and hip-hop from the south which focuses around cities like Marseille. The different social climates in the regions make the two subgenres distinct from one another. Lyrics from the south tend to be more socially conscious, with content mainly focusing on the fight against discrimination. Rappers from the south of France are known to tell the 'cold reality' of life in France. In the north, however, content tends to be more straightforward, with rappers typically talking about the drug trade, gang wars, ghetto life and clashes with the police, etc. Many of the French hip hop artists come from the poor urban areas on the outskirts of large cities known as ('suburbs').,,,,,,,,,,,, and have produced various French hip hop artists.

The political and social status of the minority groups living in France have a direct influence on French hip hop. Many French rappers are products of the rent-controlled housing and draw upon their upbringing in this environment as a source of inspiration for their lyrics. France's hip hop scene is, by far, the most active in Europe. French hip hop has been political in its history as well. 'Hip-hop in France owes its success to a strong social demand for it. Historically, France adopted a series of hostile policy against immigrant families. For example, a contentious debate is currently being fought out in the political realm as to whether or not women should be permitted to wear head scarves.

Domestic policy in the period since decolonization has resulted in the development of stifling set of inequalities.' Most of these political outcries and demands are coming from the younger generation.

Hip-Hop remains to be a place where young people can express their needs and themselves politically and freely. The protest at the heart of French hip-hop can be traced directly to the economic boom following World War II. France required manpower to sustain its newly booming industries and the governmental solution was the mass of peoples from regions of past to fill the gaps caused by shortage in personnel. As early as 1945, l'Office national d'immigration (ONI) was formed to supervise the immigration of new workers.

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Newly arrived Africans were not given the same employment opportunities as their counterparts because they were not citizens and often Africans ended up working as civil servants and menial employees living in dilapidated housing projects. Much of the resistance to social and economic imbalances in French hip-hop relate to this historically unequal situation. This is proved by lyrics of Aktivist's song, 'Ils ont', The extract when translated states 'Aktivist denounces intolerance to all immigrant fathers/Exploited in France since the 50s-60s/.their bodies are falling apart/And their children are still being judged according to their origins.' Relationship with Africa and the Caribbean [ ] 'Hip Hop and rap music were born in the inner city urban African-American and Hispanic communities of the U.S. At the end of the 1970s and was first exported to Britain, as it was the first natural market for American musical products.' When it reached the coasts of other European countries in the 1980s Afrika Bambaataa was the man behind it, and when he came to France he was overwhelmed by the great importance of African culture coming from Africa and the Caribbean. Many French hip hop artists express strong ties to Africa, though not overtly.

Rappers from the 1980s and 90s needed to keep their references to Africa subtle for a few reasons. First, explicitly praising Africa would have been offensive to the many immigrants who fled and other North African countries because of the economic adversity they faced there, and many rappers probably had parents who had done so. Also, obvious would have provided the French extreme right with an opportunity to tell Arab immigrants to return to North Africa.